Concord Band Presents Fall Concert with Music of the Macabre and Mysterious
When:
Where: 51 Walden Performing Arts Center in Concord
The Concord Band will perform its Fall Concert on Saturday, October 25, 2025, at 7pm, at the 51 Walden Performing Arts Center in Concord MA. The Fall program features the world premiere of POEtic Justice by noted composer Roger Cichy, inspired by the dark, sinister tales of Boston-born author Edgar Allan Poe.
The composition was recently commissioned by one of the Band’s French horn players, Jean Patterson, along with her daughter, Alexandra Mattor. Both worked closely with Cichy, pitching their ideas for subtle, and not so subtle, musical themes for three of Poe’s classic short stories, “The Tell-Tale Heart,” “The Cask of Amontillado,” and “The Masque of the Red Death.” On listening, one can “hear” and actually visualize the servant who is haunted by the incriminating heartbeat of his murdered master buried under the floorboards, or a drunken Fortunado wandering from the carnival down to the crypt only to be walled in brick by brick, or the chimes that ring out during a masked ball as Prince Prospero is pursued and hunted throughout the castle, room by room, by the Red Death.
To round out its seasonal program of eerie and beguiling musical themes, the Concord Band will perform several additional works. Dance of the Witches, a piece John Williams wrote for the 1987 film “The Witches of Eastwick,” involves three women who unintentionally form a coven and conjure a dashingly handsome man, whom they must then inescapably deal with. In composer John Barnes Chance’s Incantation and Dance, low and muted incanted rituals of magic bring forth wild and frenzied dancing, while Unquiet Spirits by John Mackey evokes unsettled and unsettling moods from the restless, to an ominous off-kilter, waltz-like dance, to a fiendish yet sparkling “moto perpetuo” (perpetual motion) finish. The Concord Band will perform two timeless masterpieces, Charles Gounod’s witty and ironically humorous Funeral March of a Marionette, and Johann Sebastian Bach’s powerfully majestic and rhythmically driven Toccata and Fugue in D Minor. The Fall concert program will close with Halloween by composer Morton Gould, which summons all the creatures and objects of darkness – ghosts, goblins, pumpkins and brooms – to spring to life to celebrate an unholy sabbath.
Admission is free and open to the public. A $20 per person donation is requested. Complimentary light refreshments will be served at a reception following the concert. To learn more about the Concord Band, visit www.concordband.org and on Facebook.
The composition was recently commissioned by one of the Band’s French horn players, Jean Patterson, along with her daughter, Alexandra Mattor. Both worked closely with Cichy, pitching their ideas for subtle, and not so subtle, musical themes for three of Poe’s classic short stories, “The Tell-Tale Heart,” “The Cask of Amontillado,” and “The Masque of the Red Death.” On listening, one can “hear” and actually visualize the servant who is haunted by the incriminating heartbeat of his murdered master buried under the floorboards, or a drunken Fortunado wandering from the carnival down to the crypt only to be walled in brick by brick, or the chimes that ring out during a masked ball as Prince Prospero is pursued and hunted throughout the castle, room by room, by the Red Death.
To round out its seasonal program of eerie and beguiling musical themes, the Concord Band will perform several additional works. Dance of the Witches, a piece John Williams wrote for the 1987 film “The Witches of Eastwick,” involves three women who unintentionally form a coven and conjure a dashingly handsome man, whom they must then inescapably deal with. In composer John Barnes Chance’s Incantation and Dance, low and muted incanted rituals of magic bring forth wild and frenzied dancing, while Unquiet Spirits by John Mackey evokes unsettled and unsettling moods from the restless, to an ominous off-kilter, waltz-like dance, to a fiendish yet sparkling “moto perpetuo” (perpetual motion) finish. The Concord Band will perform two timeless masterpieces, Charles Gounod’s witty and ironically humorous Funeral March of a Marionette, and Johann Sebastian Bach’s powerfully majestic and rhythmically driven Toccata and Fugue in D Minor. The Fall concert program will close with Halloween by composer Morton Gould, which summons all the creatures and objects of darkness – ghosts, goblins, pumpkins and brooms – to spring to life to celebrate an unholy sabbath.
Admission is free and open to the public. A $20 per person donation is requested. Complimentary light refreshments will be served at a reception following the concert. To learn more about the Concord Band, visit www.concordband.org and on Facebook.